MrRed
wzl-lid
Sinds 5/6/2005
T:229 -
R:13960
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16/4/2006 -
13:33u
| Quote
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person1: I get up and walk around in the dark sometimes. Does that freak you out?
person2: No... I don't know.
person1: When the place is all dark, when you and Clare have gone to sleep, and I'm awake, it's like being alive and being dead at the same time, y'know? It's this sorta halfway thing, where people who are alive are dreaming and people who are dead are... where they are. And I'm here... in the dark and the quiet.
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MrRed
wzl-lid
Sinds 5/6/2005
T:229 -
R:13960
|
16/4/2006 -
13:33u
| Quote
|
|
page?
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MrRed
wzl-lid
Sinds 5/6/2005
T:229 -
R:13960
|
26/4/2006 -
19:10u
| Quote
|
|
tip: Colin Farrell
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bastard
wzl-lid
Sinds 25/9/2004
T:37 -
R:3178
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4/5/2006 -
18:27u
| Quote
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the recruit?
of alexander?
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MrRed
wzl-lid
Sinds 5/6/2005
T:229 -
R:13960
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4/5/2006 -
20:14u
| Quote
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nops
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Dr Strangelove
wzl-lid
Sinds 9/5/2005
T:1 -
R:59
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10/5/2006 -
18:04u
| Quote
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A home at the end of the world?
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MrRed
wzl-lid
Sinds 5/6/2005
T:229 -
R:13960
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10/5/2006 -
21:18u
| Quote
|
jups,
google is onze vriend hé 
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Dr Strangelove
wzl-lid
Sinds 9/5/2005
T:1 -
R:59
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10/5/2006 -
22:10u
| Quote
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yep, ik vond dat er lang niks meer gepost werd hier. Dus rap ff opgezocht. Wie wilt post maar een nieuwe zou ik zeggen.
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Lanox
wzl-lid
Sinds 9/8/2005
T:10 -
R:979
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11/5/2006 -
10:57u
| Quote
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If you can't spot the sucker at your table in the first thirty minutes, you are the sucker.
sorry als ie al eens erbij stond
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Mik
wzl-lid
Sinds 2/12/2004
T:45 -
R:870
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11/5/2006 -
11:01u
| Quote
|
Rounders?
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Lanox
wzl-lid
Sinds 9/8/2005
T:10 -
R:979
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11/5/2006 -
11:03u
| Quote
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yups, too easy
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Xerxes
wzl-lid
Sinds 18/4/2005
T:13 -
R:445
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16/5/2006 -
15:29u
| Quote
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You know what the problem with Hollywood is? They make shit. Unbelievable, unremarkable shit. Now I'm not some grungy wannabe filmmaker that's searching for existentialism through a haze of bong smoke or something. No, it's easy to pick apart bad acting, short-sighted directing, and a purely moronic stringing together of words that many of the studios term as "prose". No, I'm talking about the lack of realism. Realism; not a pervasive element in today's modern American cinematic vision. Take Dog Day Afternoon, for example. Arguably Pacino's best work, short of Scarface and Godfather Part 1, of course. Masterpiece of directing, easily Lumet's best. The cinematography, the acting, the screenplay, all top-notch. But... they didn't push the envelope. Now what if in Dog Day, Sonny REALLY wanted to get away with it? What if - now here's the tricky part - what if he started killing hostages right away? No mercy, no quarter. "Meet our demands or the pretty blonde in the bellbottoms gets it the back of the head." Bam, splat! What, still no bus? Come on! How many innocent victims splattered across a window would it take to have the city reverse its policy on hostage situations? And this is 1976; there's no CNN, there's no CNBC, there's no internet! Now fast forward to today, present time, same situation. How quickly would the modern media make a frenzy over this? In a matter of hours, it'd be biggest story from Boston to Budapest! Ten hostages die, twenty, thirty; bam bam, right after another, all caught in high-def, computer-enhanced, color corrected. You can practically taste the brain matter. All for what? A bus, a plane? A couple of million dollars that's federally insured? I don't think so. Just a thought. I mean, it's not within the realm of conventional cinema... but what if?
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Lanox
wzl-lid
Sinds 9/8/2005
T:10 -
R:979
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16/5/2006 -
15:36u
| Quote
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Swordfish, geweldige film
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Lanox
wzl-lid
Sinds 9/8/2005
T:10 -
R:979
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16/5/2006 -
15:41u
| Quote
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M: Give me the cash!
K: Been here long?
M: Yeah, long enough. Come on, give me the cash!
K: Is that a Z-140? Alleviated titanium. Neurocharged assault model.
M: Yeah, yeah.
K: Good thing for me it's not loaded.
M: [giggles] What do you mean it's not loaded?
K: You have to... push that yellow button to load it.
M: [pauses, then laughs hesitantly]
K: Take your time.
K: You want me to - there you go.
M: Give me the cash!
K:That's a very dangerous gun. Maybe you better let me hang on to this one for you, huh?
K: You don't mind, do you?
M: No!
K: You sure?
M: No. Take it. I don't need it!
K: That's a very nice hat.
M: You like it? God!
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Dr Strangelove
wzl-lid
Sinds 9/5/2005
T:1 -
R:59
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17/5/2006 -
21:08u
| Quote
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the fifth element?
Laatst aangepast door
Dr Strangelove
op 17/05/2006 21:08:58u
(1x aangepast)
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Mik
wzl-lid
Sinds 2/12/2004
T:45 -
R:870
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18/5/2006 -
9:28u
| Quote
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daar dacht ik ook aan (Gary Oldman) ... maar ben helemaal niet zeker
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Lanox
wzl-lid
Sinds 9/8/2005
T:10 -
R:979
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18/5/2006 -
10:30u
| Quote
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't Is de fifth element, maar niet met Gary Oldman. 't Is in het begin van de film als Korben Dallas (den Bruce dus) thuis wordt overvallen door een stuk superzenuwachtig tuig.
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Mik
wzl-lid
Sinds 2/12/2004
T:45 -
R:870
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18/5/2006 -
10:34u
| Quote
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eigenaardig ... ik dacht aan die lelijkaards die die bazooka-achtige dingen kwamen leveren aan Oldman
edit ... en dat al voor Dr. Strangelove de filmtitel opperde ... heel eigenaardig
Laatst aangepast door
Mik
op 18/05/2006 10:36:30u
(1x aangepast)
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Lanox
wzl-lid
Sinds 9/8/2005
T:10 -
R:979
|
18/5/2006 -
10:36u
| Quote
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speelt ook wel in die film maar niet in die scene
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Dr Strangelove
wzl-lid
Sinds 9/5/2005
T:1 -
R:59
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18/5/2006 -
16:54u
| Quote
|
aangezien ik het juist had zal ik ne nieuwe posten.
-Who are you?
--Who? Who is but the form following the function of what, and what I am is a man in a mask.
-Well I can see that.
--Of course you can. I'm not questioning your powers of observation, I'm merely remarking upon the paradox of asking a masked man who he is.
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